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The Luxury Arts of 18th-century France Overview

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What can be learned by exploring the decorative arts from another period in history?  Discover the people who used these objects and the culture that produced them by following the links and clicking on the images below.

Video clips of Madame de Pompadour, mistress in title to King Louis XV, taken at Hillwood's French Festival, tell of the culture and economic importance of the luxury arts for France.  You will need Microsoft Media Player.

 


Necessities of Court Life
To the aristocratic mind, purchasing luxury items was more than just a matter of personal taste—it was the nobility’s social responsibility. This consumption was justified by the 18th-century French philosopher Montesquieu, "Were the rich not to be lavish, the poor would starve." The French economy was dictated by the extravagant court etiquette as tradesmen and artisans were dependent upon the commissions and purchases of the ruling elite to sustain them and their families.
Madame de Pompadour: Entertaining at Court (video)
 

Nature Idealized
Idealized visions of nature and country life serve as a popular theme of 18th-century decoration. These romantic notions reflect the philosophies of the Enlightenment and the elite about the purity and simplicity of country living as contrasted with the moral corruption of fashionable city life.
Madame de Pompadour: A Porcelain Garden (video)
 

New Ways of Living
The etiquette of the ruling aristocracy required certain standards of dress that, in turn required a rigorous dressing ritual or toilette, that would sometimes be repeated many times a day. 18th-century furniture makers introduced new forms of furniture that facilitated the lifestyles and fashions of the aristocracy and the work of servants charged with their upkeep.

Exporting French Taste
Diplomatic gifts and foreign commissions proclaimed France’s artistic accomplishment and enticed buyers abroad to seek additional pieces of French manufacture, boosting the French economy and solidifying France’s position as arbiter of European taste.
 
Madame de Pompadour: The Economics of Porcelain (video)
 

After the Revolution
France was rocked by revolution in 1789 when, for the first time, the king’s absolute right to rule had been questioned. The decorative arts produced during this time adhere to the austerity and democratic spirit of the Revolutionaries at the end of the century. Later production, during the short reinstatement of the Bourbon royal family and the rule of Napoleon III in the early 19th century, exhibit a resurgence of nostalgia for the more exuberant styles of the monarchy.
 


For more information about the royal French Court, see the web site of the royal residence of Versailles.

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