Russian Porcelain Room

When visitors enter the Russian Porcelain Room, they are welcomed by a majestic double-headed eagle inlaid in the center of the floor. This imperial coat of arms sets the tone for the Russian glass and porcelain lining the walls, mostly produced in imperially owned or sponsored factories.

The imperial coat of arms, a double-headed eagle, inlaid in the center of the floor at Hillwood, Washington DC

The imperial coat of arms, a double-headed eagle, inlaid in the center of the floor.

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Russian Porcelain Room looking into the French Drawing Room

View from the Russian Porcelain Room looking into the French Drawing Room

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Historical image of the Russian Porcelain Room at Hillwood, Washington DC

Historical image of the Russian Porcelain Room

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Basket from the Dessert Service for the Order of St. George

Basket from the Dessert Service for the Order of St. George

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In 1937 and 1938 Marjorie Post’s third husband, Joseph E. Davies, served as U.S. ambassador to the Soviet Union. Although she had been an avid collector of French porcelain since the 1920s, she fell in love with the beautiful Russian porcelain and glass for sale by the Soviets to fund their industrialization program. While her acquisitions in the Soviet Union formed only the nucleus of her Russian collection, her experience there sparked a passion that lasted the rest of her life.

The most prominent pieces displayed in the Russian Porcelain room belong to four order services commissioned by Catherine the Great in the late 18th century. Knights of the various orders honored for their government and military service used these pieces when they dined at the Winter Palace on the feast day of their patron saint. This type of provenance was extremely attractive to Marjorie, who embraced Russian porcelain for its beauty, craftsmanship, and direct association to the imperial families.

The display cases in this room and others on the first floor were well-planned elements added by Post. In planning the renovations for Hillwood in 1955, the forward-thinking collector requested that built-in, lighted display cases be included in almost every first floor room. Further evidence of her intention to share the collection is found in the pull-out trays with object labels just underneath the cases. Though these are not in use today, Marjorie's desire to educate visitors about the collections is carried on through the variety of ways that visitors can learn about the collections--including educated docents and audio tours.

 

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